Find and read the poem Nopalitos from "Un Agitado Viento. Ehécatl, The Wind" in Gloria Anzaldúa's Borderlands/La Frontera: The New Mestiza.
It starts like this:

It's that time of day
when the musty smell of dust hangs in the air
mingling with the scent of organge blossoms.
Dogs sprawl in the heat
tongues loll, drip saliva,
flanks ripple off flies.
The wind shifts.
I smell mesquite burning

Refresh Directive

Carceral Edgelands is an invitation to investigate and learn about the areas surrounding immigrant detention centers. Experimental ethnography asks us to pay attention to the world as it is lived, seen, told, and experienced. It is a mode of engagement as much as a mode of expression. It embraces indeterminacy just as it commits to a distributed politics of care, decency, and wonder.

Carceral Edgelands directives are inspired by Fluxus scores as well as Mass Observation directives, day surveys, and diaries.

Mass Observation “tried to establish more imaginative and active means of documenting patterns of popular experience. They hoped to generate material evidence by and of ‘the mass’ that would provide access to the thoughts, feelings and behaviour of the ‘ordinary’ person on a strikingly diverse range of topics, large and small. They used a ‘shoestring methodology’… drawn from (and sometimes working in opposition to) popular understandings of anthropology, psychoanalysis, surrealism and social surveys, and gathered their diverse data from diaries and through ‘overheards’, via participant observation, directives (questionnaires) and day-surveys. The wide range of accounts which ensued covered political opinion and attitudes to race, sex and class as well as records of dreams, meals, mantelpieces and dancing – to name but a few of the project’s sprawling interests.

Pollen, Annebella. 2013. “Research Methodology in Mass Observation Past and Present: ‘Scientifically, about as Valuable as a Chimpanzee’s Tea Party at the Zoo’?” History Workshop Journal 75 (1): 213–35.