Carceral Edgelands Closing Event

Call for participation: Carceral Edgelands closing event.

Please join us for a special event on Saturday, January 7th at noon. This is an open call to share writing on the theme of carceral edgelands—a project that asks, simply: what is it like to live in the edgelands of immigrant detention? At this event we will share writing and visual work that is adjacent to incarceration, work that fleshes out worlds in proximity, the terrains vague, that exists on the margins of the carceral systems but not necessarily about immigrant detention itself. Our closing event will open with a special reading by Joseph C. Russo, author of Hard Luck and Heavy Rain: The Ecology of Stories in Southeast Texas (Duke 2022).

In the tradition of the Public Feelings writing group we will take turns reading our work to one another. Writing should be between 100 and 400 words in length and may include images. Video or sound work should be no longer than five minutes. If you are sharing video, sound, or images, please submit prior to the event. The works that are shared at this event will be reviewed for inclusion in a special issue of the journal Sociology Lens (formerly Journal of Historical Sociology).

Please reach out to Craig Campbell (craig.campbell@utexas.edu) if you have any questions or if you’d like to participate.

Carceral Edgelands Closing Event
Noon on Saturday January 7, 2023
The meeting will be on Zoom.
https://utexas.zoom.us/j/92794999462

Infrasound workshop with Phil Peters

On Sunday, November 20 at 2 p.m., Phil Peters will discuss his installation The Permian Recordings and lead a workshop on making and editing recordings with a geophone. 

This will be held at Co-Lab Projects, 5419 Glissman Road.

Sponsored by the Bureau for Experimental Ethnography with support from the Digital Writing and Research Lab.

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The Permian Recordings 
Phil Peters

The Permian Recordings are a series of durational subterranean field recordings that capture the low-frequency vibrations of the Permian Basin in West Texas. This site-specific installation brings the recordings back to Texas for the very first time. Exploiting Co-Lab’s unique concrete culvert, the piece turns the gallery into an enormous infra-sonic subwoofer, a speaker at the scale of architecture. As in previous installations, the work brings into proximity two scales of time: the geologic and the biologic, expressing them not as irreconcilable measures of change, but as part of a continuum. In this specific installation, I imagine architecture as a bridge between the human and the geologic via the symbolic threshold at which foundation touches earth. Architecture is designed to be experienced in human time as the space we pass through and live within, and yet it endures, as in the ruins of our earliest structures, buried in dirt, a ligature to a distant past that simultaneously projects out into an uncertain future. Within this context, the concrete structure becomes a tuning fork on the surface of the earth, resonating with the frequencies of an industrialized landscape.

Workshop: Artisanal developing of film & the physical traces of ecological materials on emulsion

In this workshop we will explore how to use ecological development through artisanal processes like caffenol or phytograming as alternative ways of developing film, and how these aesthetic choices bring another instance of writing directly onto the film emulsion.

Saturday, November 5th

10am - 2pm
Design Lab at UT Austin
RSVP
craig.campbell@utexas.edu

If you are interested in participating please contact the Bureau for Experimental Ethnography. Email: craig.campbell@utexas.edu

Bani Khoshnoudi

Bani Khoshnoudi is a filmmaker and visual artist born in Tehran and raised in Texas. Her approach to film comes from a background in photography and architecture, and often deals with themes related to displacement and the modern subject; cities and their transformations, ruins . . . In 2008, Bani was studio artist at the Whitney Museum of American Art ISP in New York. Her work has been shown in galleries in Tehran, New York, Paris, Cairo, Mexico City, and Rotterdam. In 2022, she is winner of the Herb Alpert Award in the Arts in Film/Video.

Bani Khoshnoudi will also screen a film and host a discussion on Monday, November 7 in association with the Centre for Middle Eastern Studies at UT Austin and with support from the Humanities Institute.

This series of events is also supported by the Department of Religious Studies and the Department of Anthropology at UT Austin.

This workshop is organized in collaboration with No Idea Festival. Khoshnoudi’s film Sap, made in collaboration with saxophonist Christine Abdelnour and commissioned by No Idea, will premiere in Austin on November 5.

More info: noideafestival.com

Lecture

The Land Torn Asunder: Stories from Copper Country

Oct. 13th at 3:30pm
Dustin Edwards, SDSU
Location: Eastwoods Room (Texas Union 2.102)

Dr. Edwards’s work focuses on digital rhetoric, material infrastructures, and environmental justice; and his talk explores what archival extraction means for regimes of labor, histories of violence, and the colonial Anthropocene. A short Q&A will follow the talk.

Digital archives are also earth archives. Woven throughout our digital devices, platforms, and large-scale infrastructures are the stories of deep conditions where mined materials have been pulled from the depths of earth’s history and extracted through regimes of labor and histories of violence. This talk, drawn from my book project Digital Damage and Rhetorical Invention at the End of Worlds, follows such conditions to the deserts, mountains, and waterways of New Mexico. In particular, after outlining the key terms, assumptions, and methodological priorities of the project, the presentation will offer a bundle of stories about the Chino Copper Mine. Told in a fragmented, interruptive, experimental, and implicative manner, these stories detail the consequences that persist in the wake of the ever-expanding pit. In doing so, these stories not only put pressure on the detached metaphors that populate our digital imaginaries (e.g., “the cloud”), but they also implicate digital rhetoricians by insisting the conditions of our work are grafted into the bigger story of the colonial Anthropocene. 

Carceral Edgelands Opening Event

To inaugurate the Carceral Edgelands season of fieldwork we’ve invited anthropologists, writers, and photographers to help set the tone for the project with a set of short presentations. We’ll hear readings that explore edgelands, affects of exclusion, stories of encounter, and in-between spaces and we’ll see images that account for infrastructural vagaries exceeding and troubling descriptive conventions.

Event Page

Join us at 10am CST on December 11th for presentations by:

Cecilia Balli, Chris Brown
Jon Carter, Megan Gette
Randy Lewis, Sofian Merabet
Vasilina Orlova, Marina Peterson
Shannon Speed, Katie Stewart
Raymond Thompson
Yoke Sum Wong.

Acoustic Phenomenology: The Hidden Sounds of Austin

Monday, November 1, noon to 3pm (PAR 102)


Bill Fontana, known for his pioneering work with sound, will conduct a three-hour workshop, in conjunction with his commission for Butler Sound Gallery at the Blanton Museum of Art. Organized by UT’s Bureau for Experimental Ethnography, the workshop will demonstrate to students and researchers the art of listening by recording hidden acoustic phenomena in the natural environment as well as the conductive resonance of structural elements.  

Fontana will teach participants how to detect and record the complex sound patterns in the world around us. Sound will be explored and recorded using hybrid listening technologies, including accelerometers, hydrophones, and microphones. Participants will listen in the field, through a multiple headphone amp to the in-progress recordings, returning to the lab to listen and discuss the recordings and their potential relevance outside of the original context.  

Participants should bring their own headphones.

poetix.0.4 – atmospherics

Decorative image with "atmospherics" title and image of a jokey graph depicting cold, comfort, and hot.

As part of its spring Poetix Series, the Bureau introduces the theme of atmospherics. On March 22nd we will begin this thematic focus with readings by Katie Stewart and Marina Peterson. We will then have open discussion and take ten minutes to write our own pieces on atmospherics. This will be followed on April 12th with a workshop wherein we invite Bureau participants to share their own work on this theme, using the writing generated on March 22nd.


poetix 0.4a – atmospherics
1:30pm on Monday, March 22.2021

All are welcome to join this event featuring readings by Katie Stewart and Marina Peterson, followed by open discussion. The papers will be pre-circulated in advance but read live on Monday, March 22nd. These readings serve as a prompt for discussion and for a writing exercise in which participants try their hand at emitting, evoking, conveying, and describing atmospheres through prose, poetry, or other media.

Zoom invitation: https://utexas.zoom.us/j/94485555949

poetix 0.4b – atmospherics
1:30pm on Monday, April 19. 2021

In this workshop, participants bring one hundred words or an image as the ‘price of admission.’ The theme, taken from Katie Stewart’s writing on the atmospherics of risk and Marina Peterson’s Atmospheric Noise, invites participants to explore atmospherics through writing or image making. Writing length is strict so that we can get through everything. During this meeting, participants will share and discuss their work. Attendees are also encouraged to turn this short writing into a pamphlet/zine object using skills gleaned from the Poetix bookmaking workshop.

Join Zoom Meeting: https://utexas.zoom.us/j/91506630376

POETIX series, Spring 2021

“X’s and I’s: Ethnography Without a Subject”

We will begin 2021 with a 4-part series coordinated by Brent Crosson and Megan Gette: “POETIX” — where poetry meets the ethnographic. The Bureau for Experimental Ethnography — comprised of poets, ethnographers, sound artists, ethnomusicologists, filmmakers and things in-between, adjacent to, or curious about — will discuss whether an anthropology without anthropologists is possible. A spread-out “I.” A dissolving or overly-porous or scattered subject. A slippage of objects and their collective nouns. A series of speculative slow-Zooms. A convergence of scientific wonders and non-scientific happenings within the machine of ethnographic apparatuses. Less hand-wringing. Some hand-holding, virtually. No finger snapping.

Meetings will be every other Monday at 1:30 p.m. CST via Zoom https://utexas.zoom.us/j/98895716280

January 25: Brent Crosson and Megan Gette will share their work and lead a discussion about working across anthropology and poetry.

February 8: Guest speaker Eleni Stecopoulos

February 22: bookmaking workshop

March 8: Kathleen Stewart

‘Curatorial Dreaming’ Session

Decorative banner for the curatorial dreaming session

Issues of representation & display in the curation of “difficult” objects in the aftermath of violence

In place of our regular BEE meet, we’re sponsoring this round table discussion on

Monday, November 16
10-11:30am (USA Central)

Join us for a “curatorial dreaming” session in which visiting professor and museum curator Dr. Erica Lehrer leads us in a process of prototyping curatorial solutions to the representation and display of three or four ‘difficult objects’ from faculty exhibitions, research, and public projects. Dr. Lehrer will be joined by Suzy Seriff, Ricardo Velasco, and others in this roundtable session.

All are welcome to attend.
Zoom Address: https://utexas.zoom.us/j/95173334032

Professor Erica Lehrer (Concordia University, Montréal) is delivering the Gale Family Foundation Fall Lecture on November 15th at 5pm. More details are available at the Schusterman Center website.

This event is sponsored by The Schusterman Center for Jewish Studies, the Bureau for Experimental Ethnography, the Humanities Institute, and the Department of Anthropology.

Participant Bios.

Dr. Erica Lehrer is a sociocultural anthropologist and curator. She holds a PhD from the University of Michigan, Ann Arbor, and is currently Professor in the Departments of History and Sociology-Anthropology at Concordia University in Montreal, Canada. She is also Founding Director of the Curating and Public Scholarship Lab (CaPSL) and held the Canada Research Chair in Museum and Heritage Studies from 2007 to 2017.  

Dr. Lehrer is a prominent scholar in the fields of heritage tourism, museum curating, and folk art in post-conflict societies.  While her empirical field and curatorial work focuses on contemporary Poland, she is in scholarly conversation with researchers, teachers, and museum professionals who approach difficult, often violent histories, and who face the challenge of teaching, remembering, and exhibiting these events.

Jennifer Scott is an anthropologist, curator and public historian, whose work explores connections between museums, arts, place and social justice. She most recently served as director and chief curator of Jane Addams Hull-House Museum in Chicago, leading the exhibitions, community engagement efforts and overall vision of the Museum for nearly six years. In 2019, the Museum was recognized with the Award for Excellence in Diversity, Inclusion and Social Justice by the Association of Midwest Museums. Previously, Jennifer served as vice director and director of research at Weeksville Heritage Center in Brooklyn, a historic site that memorializes a Free Black independent community in 19thcentury New York. Jennifer is a Board Member for the National Association for Museum Exhibition and Vice-President for the Association of Midwest Museums. A civic leader in Chicago, she was appointed in 2020 by Mayor Lori E. Lightfoot, to serve on the City of Chicago’s Cultural Advisory Council and recently appointed co-chair of Chicago’s new Monuments and Memorials Committee. Jennifer currently serves as faculty at The New School in New York. She researches, writes and lectures locally and internationally on arts and social change, the role of public memory and contested heritage and innovative strategies for museums, arts and cultural centers. Recent publications include: “Statues of Limitation: Are Museums the Rightful Home for Confederate Monuments?”(2019); “Designing for Outrage: Inviting Disruption and Contested Truth Into Museum Exhibitions”(2017) and Reimagining Freedom in the Twenty-first Century at a Post-Emancipation Site” (2015).

Suzanne (Suzy) Seriff is a Senior Lecturer in Folklore and Anthropology at the University of Texas at Austin, where she teaches courses in cultural anthropology, museum representation, dialogue and civic engagement. She also serves as Director of the Arts and Social Justice Internship Program at UT’s Schusterman Center for Jewish Studies at UT Austin. A PhD in Folklore and Anthropology, Seriff combines innovative teaching with consultation and curation, nationwide, on issues that explore locally produced arts-based education, engagement, and advocacy to museum and public arts projects. Seriff has guest curated and co-directed several nationally traveling museum and civic engagement projects including “Recycled, Re-Seen: Folk Art from the Global Scrap Heap” which won the American Alliance of Museum’s 1997 Curator’s Committee Exhibition Award, and the 2009 NEH-funded exhibition “Forgotten Gateway: Coming to America Through Galveston Island,” for the Bullock Texas State History Museum. From 2010-2017,  Dr. Seriff served as guest curator and founding director of the Gallery of Conscience at the Museum of International Folk Art from 2010 to 2017, a participatory exhibition space that draws on the power of folk art to spark meaningful community engagement around social justice and human rights issues of our time, including women’s empowerment, natural disaster, HIV/AIDS, and the ethics of the marketplace. Dr. Seriff has been the recipient of numerous awards and honors, including, most recently, the Michael M. Ames Award  (along with former MOIFA Director, Dr. Marsha M. Bol) for Innovation in Museum Anthropology from the Council of Museum Anthropology, for their innovative work in developing the Gallery of Conscience, and the International Toy Research Association’s 2018 Senior Prize for outstanding toy research for her exploration of Holocaust-themed toys in a climate of rising anti-semitism. She is a contributor to a number of museum, folk art, and heritage publications, including  most recently, ”Holocaust War Games: Playing with Genocide” (2018); “Between Two Worlds: Incubating a New Approach to Community Engagement and Civic Responsibility in an Art Museum” (2018); “Designing for Outrage: Inviting Disruption and Contested Truth into Museum Exhibitions” (With Jennifer Scott and Barbara Lau) 2016; and “Folk Art and Social Change in an American Museum (with Marsha Bol) 2017and  her co-edited volume (with Charlene Cerny), Recycled, Re-Seen: Folk Art from the Global Scrap Heap  (1996).

Ricardo Velasco is a social documentary media producer, director and scholar, PhD in Latin American Studies from the Lozano Long Institute for Latin American Studies at the University of Texas at Austin. My prior academic merits include a Master of Arts Degree in Social Documentation from the Department of Film and Digital Media at the University of California, Santa Cruz, a MA degree in Cultural Studies from the University of the Andes in Bogotá, and a Bachelor of Music degree with Major in Sound Engineering and Minor in Composition and Production. My work can be located at the interface between critical inquiry and creative documentary practice in the fields of cultural and visual studies, memory studies and visual anthropology. I have been recipient of several grants and awards, including the Andrew Mellon Engaged Scholar Initiative Fellowship, the Evan Frankel Fellowship in the Humanities and the Teresa Lozano Long Fellowship, by the University of Texas at Austin, and the Human Rights Fellowship of the Human Rights Center at the University of California, Berkeley (2013).

BEE meet – November 2, 2020

1. Ghosts, Memory, History

Our first cycle of films is titled Ghosts, Memory, History in response to films by Lois Patiño, Linda Paganelli, and Alan Klima. The first two documentaries expand our sense of temporal imaginaries and intangible presence through their experiments with form. The third film, Alan Klima’s Ghosts and Numbers animates the uncanny with the director’s attention to the haunting materialities of money.

1. Night without distance
by Lois Patiño – 23 min

2. Imprinted
by Linda Paganelli – 20 min

3. Ghosts and Numbers
by Alan Klima.

All are welcome to join Bureau meetings.

Meeting participants are asked to watch Night Without Distance on their own time, prior to our meeting on November 2nd at 10am (Austin). We will watch Imprinted at the beginning of our meeting and will be joined by assistant director of Imprinted, Florian Grandmüller. For a discussion of both films.

We invite you to join us on
Monday, November 2nd at 10am (Austin).
Join Zoom Meeting https://utexas.zoom.us/j/94466245628
Meeting ID: 944 6624 5628

We will watch and discuss the third film, Ghosts and Numbers, at a later date (TBD).

Poster announcing the first three films in the 2020 film cycle